C280k Wk 1 Day 4

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Memorable Quote:

“These processes condition your brain so when you approach writing the stupidly complex, punishingly long artistic form that is The Novel, you’ve got resources you can draw on.”

Okay, so this actually isn’t the quote the struck me most, but it’s the one that made me laugh because you can hear the capitalization in his voice. I had to listen to this sentence three times because the building sarcasm and self-deprecation was beautiful.

The thing he said that actually was my favorite of today’s exercise is “So much of this stuff that we think is willpower…is actually just an organizational problem.” It’s touching on the fact that these exercises are not at all what I expected them to be and not at all what I thought I would find. Instead, it’s about building a habit and scheduling writing to become an intrinsic part of your day.

Which is hard. Having done Camp Nano twice this year, I know I can write almost every day, but to continue that long term? Not so much. So maybe this slower, easier paced way will help me find a better schedule than the ones I’ve attempted earlier this year.

Photo by Rana Sawalha on Unsplash

C280k Wk 1 Day 3

Memorable quote:

“The point is to piss about.”

There are actually a few quotes I jotted down during this episode that I want to keep, but when trying to narrow them down to one, I had a clear winner. It’s not the most useful quote or the most inspiring quote or even the quote that makes me think the most, but it’s my favorite because it’s all of those things and more.

Tim is a big fan of lists. I’m not – at least, I haven’t been. I understand their importance and I get how they’re useful, but I’ve never thought of myself as a list-keeper. My husband and I have often poked fun at my oldest sister and her mass of lists, my favorite quote so far from my husband being, “She has a list for her lists.” Only the way Tim spoke about lists in this episode made me rethink that because I do keep lists. Maybe not the same as my sister, but I definitely have them in my own way.

And I’ve realized they’re fun. Or maybe Tim’s made them fun. Or maybe I’m letting myself have fun. Either way, it’s something to think on because if I were to change today’s memorable quote, it would be to “Lists are the creative mind’s best friend.” I hadn’t made that connection at all until he said it and made me actually look at my life and see it.

So now, I guess I’ll embrace a few more lists. Especially now that I’ve typed that word so much, it no longer appears real.

Photo by David Iskander on Unsplash

@lilly-white replied to your post.

I listened to one of this guy’s writer rants and I really like him too! (And it’s also always nice to hear a british accent when it comes to new podcasts/youtube content xD) Honestly really intrigued by this challenge since you first mentioned it. And yeah, 100% agree with this. It’s hard to let ourselves “practice” writing when writing anything that’s not The Novel feels like procrastination rather than, well, practice.

This is actually my first introduction to him. (Agreed on the accent!!) I really like how he views writing and the ways he’s looked at everything. I’m now super intrigued to listen to more of his podcasts.

And yes! I wonder why it fell into that kind of thinking – that if you’re not working on The Novel, you’re wasting your time. Probably to do with deadlines or the sort. (And a good way to ‘devalue’ non-published works.) Which is weird because I don’t look at my fanworks to be a waste. I can see the growth there as a writer. Hearing it put out like this, though, breaking it down further to equate to the parts of me that do understand the important of practice, it really struck home.

C280K Wk 1 Day 2

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Memorable Quote:

“Imagination if irrepressible.”

He called me out in this one, talking about people who jump into the story, line one, with no planning. Correlated it to everything else in our lives that requires warmups and practice and strategies and made the musician, artist, and ex-athlete in me side-eye the hell out of the writer part that’s put her head in the sand. 

Amazing how acceptable practice is when it’s crazy singing exercises because the German ü is so foreign to native English or running suicides was an unfortunate necessary evil because soccer is a highly agile sport that requires quick turns on your toes or breaking down a bat to different curves and strokes is second nature to make it easier when painting onto a nail, but translate that to writing? In this economy?

Called myself out today and it’s only Day 2. Seven weeks and four days left.

C280k Wk 1 Day 1

Memorable quote: 

“Most of what you produce during this eight weeks will and should be bad, by most standards.”

Love his personality. And I laughed when he finally said what the exercise was. Oh man, that is absolutely not what I was expecting and I’m laughing even more to realize how hard it actually was. I missed the throw-away goal he offered by 14! Hilarious.

I don’t know if anyone is joining with me for this, but let me know how you did!

What’s this? A writer/writeblr not doing Nano?

Yeah, that’s me. I’m making a couple decisions:

  • Reviving this blog
  • URL change! Official (?? well, current) potential penname works and I like the look of it, so I’m going with it.
  • Changing up how I use this blog, as in
    • Actually use it
    • Stop being pretentious
    • Inject my personality and liven it up. It feels sterile at the moment.
  • Actually going to give bullet journaling a shot?
  • Starting the Couch to 80k thing.

I’ve done Camp Nano twice this year (and won at 50k words each) so I can’t even bring myself to the idea of contemplating doing it again. However, the writing boot camp seems really cool and so Writer Friend and I have decided to start today and follow it through the eight week course. 

On the off chance you’ve decided not to do Nanowrimo, check out that link and see if it hits your interest. 20 minute podcasts 6 days a week and you’re done when the podcast is over. If it sounds interesting, join me! It should be fun. 🙂

Rehab for writing injuries

wrex-writes:

You’ve heard of “making writing a habit,” and you’ve tried, but the pressure to write fills you with horrible pain and dread. You spend all your time wishing you could write but somehow never writing. The “make it a habit” approach doesn’t work for you. But you still want to write, maybe even regularly. Is there nothing you can do?

Here is an alternative approach to try. A rehab program, as it were, for writers with a psychological “writing injury” that has destroyed their desire to write and replaced it with shame, anxiety and dread.


If you have a writing injury, you probably acquired it by being cruel to yourself, by internalizing some intensely critical voice or set of rules that crushes your will to write under the boot-heel of “you should.” “You should be writing better after all the years of experience you’ve had.” “You should be writing more hours a day, you’ll never get published at this rate.” “You should write more like [Hilton Als/Jeffrey Eugenides/Octavia Butler/Terry Pratchett/etc.].” “You should write faster/more/better/etc./etc.”

You know what, though? Fuck all that. Self-abuse may have featured heavily in the cool twentieth-century writer’s lifestyle, but we are going to treat ourselves differently. Because 1) it’s nicer, and 2) frankly, it gets better results. My plan here is to help you take the radical step of caring for yourself.


1) First of all: ask yourself why you aren’t writing. 

Not with the goal of fixing the problem, but…just to understand. For a moment, dial down all of the “goddammit, why can’t I just write? blaring in your head and be curious about yourself. Clearly, you have a reason for not writing. Humans don’t do anything for no reason. Try to discover what it is. And be compassionate; don’t reject anything you discover as “not a good enough excuse.” Your reasons are your reasons.

For me, writing was painful because I wanted it to solve all my problems. I wanted it to make me happy and whole. I hated myself and hoped writing would transform me into a totally different person. When it failed to do that, as it always did, I felt like shit.

Maybe writing hurts because you’ve loaded it with similarly unfair expectations. Or maybe you’re a victim of low expectations. Maybe people have told you you’re stupid or untalented or not fluent enough in the language you write in. Maybe writing has become associated with painful events in your life. Maybe you’ve just been forced to write so many times that you can no longer write without feeling like someone’s making you do it. Writing-related pain and anxiety can come from so many different places.

2) Once you have some idea of why you’re not writing…just sit with that.

Don’t go into problem-solving mode. Just nod to yourself and say, “yes, that’s a good reason. If I were me, I wouldn’t want to write either.” Have some sympathy for yourself and the pain you’re in.

3) Now…keep sitting with it. That’s it, for the moment. No clever solutions. Just sympathize. And, most importantly, grant yourself permission to not write, for a while.

It’s okay. You are good and valuable and worthy of love, even when you aren’t writing. There are still beautiful, true things inside of you.

Here’s the thing: it’s very hard for humans to do things if they don’t have permission not to do them. It’s especially hard if those things are also painful. We hate feeling trapped or compelled, and we hate having our feelings disregarded. It shuts us down in every possible way. You will feel more desire to write, therefore, if you believe you are free not to write, and if you believe it’s okay not to do what causes you pain.

(By the way: not having permission isn’t the same as knowing there will be negative consequences. “If I don’t write, I won’t make my deadline” is different from “I’m not allowed not to write, even if it hurts.” One is just awareness of cause and effect; the other is a kind of slavery.)

4) For at least a week, take an enforced vacation from writing, and from any demands that you write. During this time, you are not permitted to write or give yourself grief for not writing. 

This may or may not be reverse psychology. But it’s more than that.

Think of it as a period of convalescence. You’re keeping your weight off an injury so it can heal, and what’s broken is your desire to write. Pitilessly forcing yourself to write when it’s painful, plus the shame you feel when you don’t write, is what broke that desire. So, for a week (or a month, or a year, or however long you need) tell yourself you are taking a doctor-prescribed break from writing.

This will feel scary for some folks. You might feel like you’re giving up. You might worry that this break from writing feels too good, that your desire to write might never return. All I can say is, I’ve been there. I’ve had all those fears and feelings. And the desire to write did return. But you gotta treat it like a tiny crocus shoot and not stomp on it the second it pokes its little head up. Like so:

5) Once you feel an itch to write again—once you start to chafe against the doctor’s orders—you can write a tiny bit. Only five or ten minutes a day. 

That’s it. I’m serious: set a timer, and stop writing when the time’s up. No cheating. (Well…maybe you can take an extra minute to finish your thought, if necessary.)

Remember: these rules are not like the old rules, the ones that said, “you must write or you suck.” These rules are a form of self-care. You are not imposing a cruel, arbitrary law, you are being gentle with yourself. Not “easy” or “soft”—any Olympic athlete will tell you that hard exercise when you’ve got an injury is stupid and pointless, not tough or virtuous. If you need an excuse to take care of yourself, that’s it: if you’re injured, you can’t perform well, and aggravating the injury could take you out of the competition permanently.

For the first few days, all of the writing you do should be freewriting. Later, you can do some tiny writing exercises. Don’t jump into an old project you stalled out on. Think small and exploratory, not big and goal-oriented. And whatever you do, don’t judge the output. If you have to, don’t even read what you write. This is exercise, not performance; this is you stretching your atrophied writing muscles, not you trying to write something good. At this stage, it literally doesn’t matter what you write, as long as you generate words. (Frankly, it would be kind of weird and unfair if your writing at this point was good.)

6) After a week, you can increase your time limit if you want. But only a little! 

Spend a week limiting yourself to, say, twenty minutes a day instead of ten. When in doubt, set your limit for less than you think you’ll need. You want to end each writing session feeling like you could keep going, not like you’re crawling across the finish line.

Should you write every day? That’s up to you. Some people will find it helpful to put writing on their calendar at the same time each day. Others will be horribly stifled by that. You get to decide when and how often you write, but two things: 1) think about what you, personally, need when you make that decision, and 2) allow that decision to be flexible.

Remember, the only rule is, don’t go over your daily limit. You always have permission to write less.

And keep checking in with yourself. Remember how this program began? If something hurts, if your brain is sending you “I don’t wanna” signals, respect them. Investigate them, find out what their deal is. You might decide to (gently) encourage yourself to write in spite of them, but don’t ignore your pain. You are an athlete, and athletes listen to their bodies, especially when they’re recovering from an injury. If writing feels shitty one day, give yourself a reward for doing it. If working on a particular project ties your brain in knots, do a little freewriting to loosen up. And always be willing to take a break. You always have permission not to write.

7) Slowly increase your limit over time, but always have a limit. 

And when you’re not writing, you’re not writing. You don’t get to berate yourself for not writing. If you find yourself regularly blazing past your limit, then increase your limit, but don’t set large aspirational limits in an effort to make yourself write more. In fact, be ready to adjust your limit lower.

When it comes to mental labor, after all, more is not always better. Apparently, the average human brain can only concentrate for about 45 minutes at a time, and it only has about four or so high-quality 45-minute sessions a day in it. That’s three hours. So if you set your daily limit for more than three hours, you may be working at reduced efficiency, when you’d be better off saving up your ideas and motivation for the next day. (Plus, health and other factors may in fact give you less than 3 good hours a day. That’s okay!)

Of course, if you’re a professional writer or a student, external pressures may force you to write when your brain is tired, but my point is more about attitude: constant work is not necessarily better work. So don’t make it into a moral ideal. We tend to think that working less is morally weak or wrong, and that’s bullshit. Taking care of yourself is practical. Pushing yourself too hard will just hurt you and your writing. Also, your feelings are real and they matter. If you ignore or abuse them, you’ll be like a runner trying to run on a broken ankle.

I know I’m going to get someone who says, “if you’re a pro, sometimes you gotta ignore your feelings and just get the work done!” 

NO. 

You can, of course, choose to work in spite of any pain you’re feeling. But ignore that pain at your peril. Instead, acknowledge the pain and be compassionate. Forgive yourself if pain slows you down. You are human, so don’t hold your feet to the fire for having human limitations. Maybe a deadline is forcing you to work anyway. But make yourself a cup of hot chocolate to get you through it, literally or metaphorically. Help yourself, don’t force yourself. If you’ve had a serious writing injury, that shift in attitude will make all the difference. 

In short: treat yourself as someone whose feelings matter.


Try it out! And let me know how it goes!

Ask a question or send me feedback!

anon from post 178388059366 // by potential i mean that i have a rough idea of the direction i want the story to go, any overarching themes that may appear, and what i want to accomplish with it. i have it all mapped out in my head, but i always seem to lose interest in it before i can actually write it. any sort of enthusiasm i had when i first got the idea just vanishes.

wrex-writes:

wrex-writes:

Okay, some thoughts on what might be going on for you:

  1. It sounds like these ideas might be too intimidating. It often happens to me where I’ll get an idea for an ambitious story, I’ll plan out complicated themes and character arcs and intersecting subplots…but once I’ve done that, the task of writing the story itself looks so big that my desire to write it evaporates. The more architecture your initial idea has, the harder it will feel to execute, cuz with each word you write, you’ll see all the plates you’ve got to keep spinning – “I’ve gotta establish this character motivation, lay the groundwork for that theme, set up this subplot” etc. Your brain can’t handle all that stuff at once, so it shuts down.
  2. Dovetailing with that: it also sounds like your ideas are too abstract to hook you in emotionally. In my experience, the desire to write a story has to come from a very specific source: you’ve got an image in your mind, or a conversation you want two characters to have, or you want to see how a character reacts to a specific event. Something very concrete and kind of…simple. As I said above, the sooner you jump ahead to larger structures, the more likely you are to get overwhelmed, and many of us react to that by losing interest.
  3. So what I’m saying is: try starting smaller. Pick one postage-stamp-sized piece of an idea, one that only implicates a single story element – I find a relationship works best, because they’re my emotional way into a story – and just write one little scene focusing on that. Allow yourself to write a scene without the noise from all the story’s other moving parts. Once you’ve done that, try another scene that way.
  4. Oh, and go straight to the scenes that interest you the most. I find that when I start a long story, I’m tempted to write boring set-up first, as if I have to earn my chance to write the fun scenes, and it totally kills my excitement. Don’t do that. Write the fun scenes immediately. Don’t worry that you haven’t set them up sufficiently; you can rewrite. (Also, guess what? You can skip the boring scenes. That’s right – just skip them. If they’re boring to you, they’ll be boring to us.)

Does any of that strike a chord?

Addendum, now that I’ve thought more about it:

When I recall the stories I’ve abandoned because I lost interest, they all have a common element: every scene I wrote felt like set-up for a future scene. I was forever putting something off, an emotional satisfaction that was coming in the future but wasn’t present now, in the scene I was actually writing. Naturally I gave up, because there was nothing satisfying about chasing a future pleasure I was never, let’s be honest, going to reach.

I think a good way to write, if you have this problem, is to – this will sound corny, but – treat each scene as if it’s the only scene in your story. Yeah, I know, that’s not practical because every scene besides the first requires knowledge of prior scenes and every scene except the last implicitly points toward something. But let’s say you had to give someone a short excerpt as a writing sample and you wanted that fragment, despite its clear incompleteness, to be satisfying in itself as a reading experience. Treat every scene as if it’s that excerpt.

Anon, I know you’re not me, but maybe this will resonate with you? I’m…actually going to try this myself.